>> Taboo kirdy by Stevens (1980) for Best Film of the Year
this complex portrait of an American middle-class housewife in every scene finds the right balance between psychological depth and sensual ease. As a modern, mature woman who is abandoned by her husband, Kay Parker shines in her best role to date and presents the entire range of her acting skills. Kirdy Stevens has managed to give even the smallest roles emotional weight while never losing the central taboo of the film, the overwhelming love of a mother to her son, out of sight. Here everyone fucks everyone, but at the same time, the hypnotic story of an irresistible desire two people said.
>> Marilyn Chambers for the best female lead in Behind the Green Door of Artie and Jim Mitchell (1972)
The surprise of yesterday evening, with hardly any of the present critics had expected, was the success the little-known Marilyn Chambers in her first major role, the more favored Ginger Lynn Honey Wilder ended up with nothing. Chambers, who until recently worked as a model (Ivory Snow), was previously only seen in small roles, such as alongside Barbra Streisand in Herbert Ross' The Owl and the Pussycat (1970) and Sean S . Cunninghams Together (1971). Here she was spotted by Artie and Jim Mitchell for a small role in Behind the Green Door . With their unspoiled girl-next-door image, her physical presence and courage to take artistic risks, but soon took his leave for the lead role. Chambers, accepted her Academy Award with a broad grin, risky neckline and the following explanation: "People say, Are you just acting? Well, you can not act when you've got a fist up your butt. "
>> Jamie Gillis for best male lead in The Seduction of Lyn Carter by Wes Brown (1974)
his third trophy was Hollywood's enfant terrible Jamie Gillis for his controversial role as an unconventional sex psychologist. In another breath-taking method acting tour de force (in preparation for three months, he worked undercover in a women's clinic) Gillis takes the viewer into the depths of modern pathological relationship life. Academy Award-Juror Christian Kessler : "Jamie Gillis shines again in a role that demands it both repulsive and attractive features. His wonderful voice plays a major role, and it has been used rarely better than here. As an example, like the scene are in the restaurant where Jamie the undecided-anxious Lyn by charmierendes self-confidence piece by piece, their reserve abluchst. "
>> Annie Sprinkle for the special effects in Little Oral Annie # 2
After the amazing 3-D effects of the first part, the FX Team by Annie Sprinkle in the sequel again refills and presents an incredible wealth of spectacular scenes. Even if the story again could not even convince themselves were members of the Academy of inspire inventiveness Sprinkles, which is said to have been working on a third part. On rumors that some sequences do not faking, but should be genuine, Mrs. Sprinkle was on Evening not received the award ceremony.
>> John Holmes was awarded the Lifetime Achievement Award
No one has so many men and women all over the world as he made happy. In more than 1750 works, he has shown his amazing skills to the test, now has the best and most reliable Mime of the old guard finally received due recognition for it. The gilded statue inside information to exactly 33 centimeters in size.
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Everything else to this year's Oscar winners and losers you can learn on Thursday, 3 March, from 20 in the clock Candlemas cinema . Christian Kessler presents his new book The preliminary screen , presents film clips and comments on past and future of an industry that fills our meager life with dreams of those "enchanted savannah, in the most secret and vulnerable of all our play many selves in safety "(Alan Moore ).
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